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Dorthe Nors – Karate Chop

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Spooky coincidences and horrific happenings.

Publisher: Pushkin Press
Pages: 82
Type: Fiction
Age: Adult
ISBN: 978-1-782-27432-2
First Published: 25th September 2008 in Danish; 4th February 2014 in English
Date Reviewed: 16th March 2018
Rating: 4/5

Original language: Danish
Original title: Kantslag (Side Stroke)
Translated by: Martin Aitken

In this collection of very short stories (some have called it flash fiction) a person left alone by a potentially mysterious boyfriend watches and remembers a documentary about a missing person who left their wife; a grown-up remembers the stories about his grandmother told to them by their mother and aunt – two children brought up by an abusive parent; and a psychologist looks at her bruises and wonders about the way she gets into bad relationships when she well knows the warning signs.

Karate Chop is a thin book of vignettes about realisations of the self and aspects of society. Told in simple prose, the author’s style is one of subtlety – with her writing set somewhere between the almost vague and small shock, Nors’ collection delivers some poignant endings, some horrible endings, and others that are ambiguous.

These endings result in a book that can at times confuse you. Because some of the stories are easy enough to see through – well, easy enough once you’ve worked out the right amount of thinking you must do – the ones that are a lot less opaque can seem not so successful. It can be hard to decipher whether the more vague pieces are like that on purpose – leaning ever more towards subtlety – or just objectively miss the mark. It could be due to the length – no matter how literary the endings, the shortness of the stories means it can be a bit too easy to forget what came before. Make no mistake – there is something to take away from all the stories – but some will fade from memory a lot quicker than others.

The simplicity of Nors’ prose has been translated well; doubtless some changes have been made to aid the reader not familiar with Denmark but if they have they are hard to see. The text flows well and the translation reads as faithful both to the takeaway of the stories and the phrasing.

Highlights of the collection include Mutual Destruction, in which a man watches a neighbour who has previously ‘helped’ him put animals to sleep when they were ill – where is the man’s family? The Winter Garden looks at the moment children start to realise their parents might just be average; Flight looks at a woman who is close to realising what went wrong in her relationship but incapable of seeing it; and the aforementioned story about the tales of the narrator’s grandmother, Grandmother, Mother, And Aunt Ellen, is exceptional.

Karate Chop delivers more than one punch in the reading experience – the title may refer to a particular story but it could equally have been used for a few others. It is a great little collection that takes less time to read than it does to finish thinking about it.

I received this book for review.

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