Book Cover Book Cover Book Cover Book Cover Book Cover Book Cover Book Cover Book Cover

Rosie Travers – The Theatre Of Dreams

Book Cover

Lights, camera, and action… are all badly needed by this group of people.

Publisher: Crooked Cat
Pages: 300
Type: Fiction
Age: Adult
ISBN: 978-1-721-12292-9
First Published: 1st August 2018
Date Reviewed: 21st August 2018
Rating: 4/5

Actress Tara’s director boyfriend becomes interested in a rising reality star and the resulting fallout shatters Tara’s professional image. When she receives a letter from an elderly woman, inviting her to take over a dance school (the real reason is to help save the old pavilion) she decides to go for it, moving from London to the south coast. But there’s more to Kitty’s request than she included in the letter, more than any meetings and debates with councils.

The Theatre Of Dreams is a contemporary story of historical conservation, with a healthy dose of mystery. Told via two characters, one in the first person, the other in the third, it gives a good view of the past and present and ensures all questions, whether explained openly to other characters or not, are answered for the reader.

Travers has constructed a good tale; seemingly nice but ordinary for a while, there comes a point where the first mystery element makes an appearance, and this then runs parallel to the main story, pushing the interest up several levels. It adds a completely new dimension and genres that move the novel, particularly the final third, into page-turner territory, somewhere between a casual whodunnit and a cosy mystery, whilst never losing the easy-going nature of the narrative.

Characterisation is fair, with most time understandably going to Tara, who gets a complete, realistic, life change. She’s as important as the fight to save the pavilion.

The pavilion itself is what the story revolves around but it would be prudent not to expect to see a result here – the book is about the journey to start the restoration rather than about the restoration itself, with Kitty desperate to find a way out of the bind her family have put her in of selling off the pavilion to developers. The fictional history looks at stories from factual places (the building is based on Lee-On-Solent’s old Lee Tower) and calls to mind similar, factual, stories of campaigns to save history.

There’s but one issue and that’s in the book as a product; there are a lot of proofreading errors – spelling, grammar – that, whilst not on every page, are numerous enough to be noticeable and do on occasion mean you have to stop reading to work out the meaning behind the sentence. The language itself is good and Travers’ style confident – the errors are an editing stage problem.

Besides the errors, the book is great. It’s one you can pick up for a chapter or two but quickly find yourself wanting to carve out time for, and the subtle elements of mystery that Travers includes make you want to race through the end to find out what’s happened.

I’ve met the author a couple of times.

Related Books

None yet

 
Kirsty Ferry – Watch For Me By Candlelight

Book Cover

Not only at the first stroke of midnight.

Publisher: Choc Lit
Pages: 302
Type: Fiction
Age: Adult
ISBN: 9B079H1LTJB (ASIN)
First Published: 3rd April 2018
Date Reviewed: 8th August 2018
Rating: 4/5

Kate lives in Suffolk where she runs a local history museum, set up in a row of old cottages. Originally from Cambridge, she fell in love with the village she found there, feeling drawn to it. One day a new visitor to the museum, Theo, arrives; Kate begins to slip back in time, into the shoes of someone who looks very similar to herself and who knows someone who looks similar to Theo.

Watch For Me By Candlelight is a time-slip romance with a well-constructed fantasy thread. At first understandably seeming to be an editing error, Ferry’s seamless integration of Kate into her historical past is excellently done, with Kate effectively becoming her historical counterpart whilst remaining herself, able to apply modern concepts to what she is hearing but knowledgeable of what she actually ought to be saying in context. On occasion she does lose herself completely in Cat, Ferry intentionally bringing the history further into the proceedings so that you get to know Cat as well, albeit not as much as Kate.

Partly as a result of all this, the romance is a good one – well plotted and paced. Ferry doesn’t dwell long on minor conflicts, letting the plot go where it will – for example a problematic, more minor, part of life will be solved in good time to aid the path of the main story.

The author’s decision to use a pretty ordinary backdrop and characters allows the spotlight to be on the fantasy, and allows the story to feature a strong dose of reality (the time-slip itself being not so unrealistic). Kate is friends with the family who own the local historic estate, and counterpart Cat was a relative of their ancestors – neither are particularly privileged. Theo/Will (it’s not a spoiler to say he has a counterpart) is well placed in an equally ordinary situation, and it’s this that creates the main conflict in the historical sections.

The writing is good – any anachronisms are the result of the time-slipping and thus not an issue, and the grammar on most occasions is refreshingly super.

There are little things at odds, but the main element that invites question is the ending – it’s not at all as the plot leads you to believe; the mystery is not predictable but might have been better if it was predictable, more suitable.

Apart from that, as described, Watch For Me By Candlelight is a good book. It’s understandably an easy read, enjoyable both in terms of its genre and for the cleverness of the construction, putting genre first to great effect. It’s the second in a series but can be read as a standalone, the references to the first book intriguing and informative.

Related Books

None yet

 
Claire Fuller – Swimming Lessons

Book Cover

Only go with the flow to a certain extent.

Publisher: Fig Tree (Penguin)
Pages: 294
Type: Fiction
Age: Adult
ISBN: 978-0-241-25215-4
First Published: 26th January 2017
Date Reviewed: 1st May 2018
Rating: 5/5

When Gil sees his wife standing outside the bookshop, he runs after her, causing himself a fair injury in the process. Daughter Nan isn’t amused – Ingrid disappeared many years ago when she and her sister were children – and she’s very likely dead. But Flora sides with his father and as Gil returns home from hospital the sisters look after him, together with Richard, the man Flora had been sleeping with but had split up with, in not so many words, before she left to meet Nan. The family house is full of books which are stacked on every surface, a few layers deep – Gil has an obsession with finding secondhand books that hold receipts, letters, and marginalia. Mixed in with this story is that of Ingrid’s version of her marriage to Gil, told in letters, that she had slipped in between the pages of various relevant titles.

Swimming Lessons is an utterly sensational novel of truths and lies, mystery and a spot of magical realism, and regret, all held together by the theme of literature and writing. Ingrid’s tale begins at university where she studied English and met Gil, her lecturer. Their story moves on from there, with Gil’s friends warning Ingrid about Gil’s personality and the university putting its foot down. The chapters set in the present abound with literary ideas, criticism, and general conversation.

“Writing does not exist unless there is someone to read it, and each reader will take something different from a novel, from a chapter, from a line. A book becomes a living thing only when it interacts with a reader.”

“…often the only way to see what a reader thought, how they lived when they were reading, is to examine what they left behind. All these words… are about the reader. The specific individual – man, woman, or child – who left something of themselves behind.”

This means that whilst the subject of the book, or, rather, subjects, can get pretty dark, the wonders of the text keep you in a positive state. The darker side of the novel – Ingrid’s revelations, which are effectively revelations to the reader, and the question as to what happened to Ingrid – are written superbly; Fuller’s writing style, plotting, and subsequent literary execution are absolutely marvelous to the point that the book is just as good to read for its prose as it is for the way it unravels its subjects. A good use of the present day setting and decades past round out the writing.

As for the characters they are very well drawn and feel far from fictional. Fuller references I Capture The Castle, and there are, in Ingrid’s love of the beach and writing of it, potential allusions to The Awakening (‘potential’ due to the book not being referenced). In the idea of Ingrid having been lost to the sea there is a minor reference to Virginia Woolf. The inter-textual nature of the book enhances both the atmosphere and the characterisation and also leading you to think that situations may match those in the older novels (which can be the case but not always). Gil has a writing room to which no one else is allowed entry. Flora is often naked. Ingrid found her changed life difficult. Like Fuller’s previous book, Our Endless Numbered Days, Swimming Lessons looks a little at neglectful parenting and favouritism.

This book pairs joyous reader escapism with some uncomfortable subjects. It is a good idea to go in prepared for a blunt look at what can be hidden under the surface, of parenting, of marriage, and then give your all to it. Because it’s a triumph; not the sort of characters you might want to spend real time with but the book itself, everything about it, oh heck yes.

Related Books

Book coverBook cover

 
Evie Wyld – All The Birds, Singing

Book Cover

As the crow flies.

Publisher: Vintage (Random House)
Pages: 229
Type: Fiction
Age: Adult
ISBN: 978-0-099-57237-4
First Published: 20th June 2013
Date Reviewed: 30th January 2017
Rating: 2.5/5

Jake (a woman) lives on a sheep farm. It’s a fair life but she’s always on tenterhooks, waiting for what she believes is the inevitable appearance of her abusive ex. In her time she’s journeyed far to get away from him and the life that had become sordid. And most recently she’s had more reason to worry – someone or something is killing her sheep.

This is a difficult book. Not in the literary or harrowing ways but in the way it’s been written and structured. All The Birds, Singing is the story of Jake’s life up to the present point but the events are all jumbled and it’s not a case of a chapter per event; one minute you’re reading about farmer Don and stranger Lloyd, the next Karen, who seems to have been/is a friend, then Greg, who soon falls from the narrative without a trace. And because it’s not just about the people – I’ve used names to make the explanation easier but there are various places involved, too, that often sound the same – it’s a good while into each chapter until you’re blessed with the answer as to what and when you’re reading about. The chapters are not differentiated – there are no dates or times and the writing is the same.

This means you end up spending a lot of time trying to ground yourself, time that should be spent understanding what you’re reading and gleaning answers. The plot itself is incredibly vague to the point that it surpasses all notions of ‘clever’ to become too much. This means there’s a great distance between reader and book. It makes it hard to care about what’s going on. One question is answered but in terms of the book it’s very minor; it may have been important to Wyld but it’s not something that occurs to you to think about until later on because there are other things that have been going on for the entire time that you’d like to know about.

Where the confusion and vagueness works is in the way Wyld doesn’t specify Jake’s present day location, instead leaving clues via references to the flora and fauna in perhaps the most dedicated example of ‘show’ yet. It likely won’t be vague to readers familiar with the place but many will likely admire the way it’s eked out.

There’s a nice atmosphere to the nicer sections of All The Birds, Singing, but it’s hard to recommend.

Related Books

None yet.

 
Nicola Cornick – The Phantom Tree

Book Cover

Those of both history and the present.

Publisher: Harlequin
Pages: 420
Type: Fiction
Age: Adult
ISBN: 978-1-848-45504-7
First Published: 29th December 2016
Date Reviewed: 22nd January 2017
Rating: 4/5

When Alison ran away from her abusive cousin she had no idea that opening the inn door would whisk her away from the 1500s and straight onto a 21st century street. But that it did; when her cousin, now father of her child, sends her away, she returns to the present but though she adapts well to modern life she yearns to return to her son. Meanwhile, Mary Seymour deals with continuous accusations of witchcraft and a house that doesn’t want her. And forefront in her mind is the promise she made to Alison to somehow leave word of baby Arthur.

The Phantom Tree is a time travel book in a similar vein but different voice to Cornick’s previous novel, House Of Shadows. This different voice is one of the stand-out elements – Mary Seymour’s narrative, in particular, is very different from Cornick’s previous narrator, yet the author keeps her writing itself the same. It’s an interesting element that speaks highly of Cornick’s ability to develop characters whilst not changing her style too much.

Interesting, too, is the basic plot and the way the time travel has been included. There is one particular plot point that’s very predictable – the character really should have put two and two together earlier – but other than that it’s well done. Cornick hasn’t created anything new in the way that the time travelling happens but it’s the detail that’s good, the way she’s used a well-used device and just got on with the story – with time travel used so much, there’s little need for basics.

The characters are well drawn. We aren’t given much of Alison’s first days in the present, more of a quick nod, as the focus is on her search to get back. It is easy to wonder every now and then how she could have learned so much in a fairly short time but not unbelievable considering her personality. Throughout Alison is the stronger of the two heroines, and although it is true she’s mostly a modern-day character anyway, reading about her in the past shows a person who could fit in anywhere.

In Mary Seymour’s case it’s very intriguing; Cornick has exploited the lack of knowledge we have about Mary, Catherine Parr and Thomas Seymour’s daughter, and really gone to town with it, making Mary not just accused of witchcraft but actually able to see the future. Mary’s magic does contribute to an ending that some may find a bit far-fetched given our collective lack of knowledge (not far-fetched in the concept of fantasy!) and there’s something she shares with another that’s very fantastical. Thus this book goes beyond the sub-genre of time travel – it’s a full on historical fantasy with some hearty romance included.

Speaking of far-fetched, the clues left for Alison by Mary are very vague to the point that unless you trust in their relationship, and the continued significance of it despite the years apart, you may find it hard to believe. This element does stretch the imagination somewhat, though it’s more due to the way less time is spent on the sleuthing and because of the requirement for word and symbol association.

The two heroines are obviously distanced so there’s not as much room for development there as you might have hoped – this is a dual narrative that may never cross paths – but the other relationships in the book are very good. Adam, Alison’s ex-boyfriend of the modern day, is a TV historian, a role which turns out to be as excellent as you would hope in the context, and Mary gets a romance too. Cornick spends time on Alison’s search for Arthur and this thread has a very poignant ending.

There is one issue with this book as a product that unfortunately affects the reading – somewhere towards the middle the proofreading disappears. Cornick’s good writing remains throughout but the editing errors are numerous.

The Phantom Tree has a fair story, strong characterisation and great writing, and a fast pace and attention keeper even during the too-fantastical parts, but more time needed to be spent checking it over before printing.

I received this book for review.

Related Books

Book coverBook cover

 

Older Entries