A contemporary coming-of-age tale with a slice of Southern gothic.
Publisher: Sphere (Hodder)
First Published: 7th March 2017
Date Reviewed: 5th April 2017
Henry’s father wanted to be a writer. Growing up in a house without books in a town that didn’t value reading, he struggled, achieving a little success but ultimately not getting far, in part, by that time, due to his need to get things right. Henry himself thus grew up around thousands of books, housed in a large library in a large foreboding house. As he grows up himself, he too struggles to find success, his life marred by the disappearance of his father, other family deaths, and communication problems with his family that he doesn’t want to acknowledge.
The Barrowfields is a magnificent work that reads like a great work of American literature. Lewis’s writing style is subtle, beautiful, and the book feels as though it is from another time. It’s very much literary fiction, the plot simple but full of meaning. The end result is a book that is in many ways an easy read, and for all the right reasons.
At its heart are two major elements: the effect of parental neglect and loss on children, and the wonder of literature. The effect on Henry of his father’s leaving is huge but he doesn’t often confront it directly, he can’t. Lewis’ characterisation is fantastic, the author makes you second-guess for a very long time as to the worth of the story as a whole whilst simultaneously giving you plenty of other reasons to keep reading, which has the effect, particularly by the end, of demonstrating how damaging being silent can be but also showing how it can be difficult to identify problems when you are on the outside looking in. Even though you spend the entire book in Henry’s head, you are kept back from many of his deepest thoughts – what he portrays as his deepest thoughts are often layers of disguise.
It is perhaps easier to see where parental loss has an effect (I apologise for using that word so much) in the character of Threnody, Henry’s sister with whom, as a child, he had a terrific bond. Henry is very open about his sister and as Lewis’s character development shines throughout the novel, it is through Threnody that all the hurt and pain is revealed. (Lewis’s sibling relationship here, in terms of literary bonding, is influenced by his becoming a father early in life.) Yet The Barrowfields is not a depressing book. Whilst Lewis deals with the darkness of his subject, he includes a lot of humour in his description and dialogue, enough to make you laugh out loud.
This humour brings us to the second major theme of the book – this is a book about books. About books and literary studies and grammar and the classics, even book banning and burning. The Barrowsfields is soaked in references to classic works of many genres and eras – literature is what father and son bond over, what son and daughter fill their time with, and what Henry often discusses with his friends. Harper Lee. Faulkner. Fitzgerald, Thomas Wolfe. Marion Zimmer Bradley. References are sometimes blunt (a character asks someone if their situation isn’t straight out of To Kill A Mockingbird), others are woven into the text in such a way that the book seems at its heart a love letter to literature. Many references are made to Southern literature, matching Lewis’s setting of North Carolina. It is difficult to explain just how satisfying this novel is; it goes above and beyond many others.
The foreboding nature of the house has its place, forever towing the line between being in the background and becoming a character in its own right. It’s what situates the novel firmly in gothic territory, beckoning over another couple of classic works – Du Maurier, Brontë – but remaining almost defiantly apart from them. The plot line here is often on the back-burner but it smolders constantly until Lewis gets to the place you come to realise most makes sense to explain it. Whether or not the house has or had a direct influence on the rest of what happens is left up to you to decide; Lewis, through his characters, never says one way or another. It’s the big old dark creepy house with the residents who are used to it.
The Barrowfields sometimes takes patience, holding back much for a while, but it rewards in spades. It also takes a sudden seemingly odd turn during the middle – one of those occasions where a character joins the narrative half-way through and due to experience you wonder if it’ll work; it does so with good reason. This is very much a bildungsroman, and you learn along with Henry, at his pace. It reads as partly autobiographical, the extent of the detail, the depth of the knowledge that seeps from it.
It’s just glorious. If you want to read something classical from our present day, if you want a book about books and a skilled, careful, look at heavy themes that will nevertheless make you feel positive, this is your book. I can’t recommend it enough.
I received this book for review.
April 7, 2017, 4:27 pm
You’ve certainly captured my interest with this one. It may have to go on my wish list.
April 8, 2017, 2:49 pm
I read very little literary fiction generally because of the heavier, modern issues then can deal with. I would rather escape in my reading. However this books does sound like it has got a great balance with the heavier issues and humour, and I love the sound of the book references and the gothic, old house setting :-)
April 8, 2017, 7:31 pm
Oh boy, this is one of those books where I know because of your comment that it is “soaked in references to classic works of many genres and eras” I will end up making a long list of other works I should read