I didn’t read quite as much in October as I’d hoped to, but there were life reasons for that and also, Fourth Wing is really long – it may not have as many pages as, say, The Priory Of The Orange Tree, but the smaller print means that the ‘true’ number of pages should be greater than it is.

The Books

Non-Fiction

Zachary Levi: Radical Love – Reading this was a massive journey. I hope he finds real healing one day.

Fiction

Natalie Jenner: The Jane Austen Society – When American Mary-Anne visits Chawton to try and see Jane Austen’s house (she can’t – the Knight family own it and aren’t into the whole idea) she inspires Adam to start reading Austen. Various others in the village like Austen, too, and sometime later the idea of turning the cottage into a museum comes up. There are some wonderful little studies on various aspects of Austen here and the character-driven and often Austen-esque story is fun and frankly gratifying – it’s a fictionalised take on the creation of Jane Austen’s House Museum, fully accounted for in the acknowledgements.

Rebecca Yarros: Fourth Wing – Violet’s one of the new first years hoping to become a dragon rider for their country to fight in the ongoing war… except Violet didn’t want to be a rider, she wanted to be a scribe but her Commander mother said no to that. To be a rider is to be in continuous peril with the first step being literal steps over a thin parapet a great many metres above the valley. I absolutely loved this, wasn’t prepared for how much I’d enjoy it.

Fourth Wing is going straight on my favourites list. All three books were also on my new non-podcast reading list so I’m glad to say I’m getting through the first use of it.

I’m currently reading three books – Alex Hay’s The Queen Of Fives, Susan Stokes-Chapman’s The Shadow Key, and a collection of snippets from poetry lectures taught by Korean poet Lee Seong-bok called Indeterminant Inflorescence. I’m enjoying my reading a lot.

Episode 109: Susan Muaddi Darraj (Behind You Is The Sea)

Charlie and Susan Muaddi Darraj (Behind You Is The Sea) discuss the Palestinian Christian community, her immigrant characters and their children, how she used the current conflict in her stories, and the segregation and working class in Baltimore, Maryland.

Please note this episode mentions domestic violence.

If you’re unable to use the media player above, this page has various other options for listening as well as the transcript.

I believe the existence and make-up of this list says three true things: I’m reading more; I spend a bit of time on TikTok (and I’m putting more priority on fantasy which has been a long time coming); I’m blogging again.

Alex Hay: The Queen Of Fives – Out on 30th January, thus from the publisher, this is Hay’s second novel. The first, last year’s The Housekeepers, was a perfectly-paced Edwardian heist taking place over 24 hours, this second is a Victorian con taking place over five days. At the time of writing this I am a few chapters in and it’s not going to disappoint.

Lee Seong-bok: Indeterminate Inflorescence – For review, out on 14th of this month, this small book is ‘a collection of meditations on poetry, art and life, taken from the creative writing lectures of one of South Korea’s most prominent living poets’. I reckon I’ll be taking a lot of notes.

Orlando Ortega-Medina: Emerald Road – From the author for review (out 14th January), this is a follow up slash prequel to Ortega-Medina’s previous novel, The Fitful Sleep Of Immigrants, which was a slightly/semi autobiographical novel. I noted at the time that the winning character of the book was Issac, loosely based on the author’s partner and was delighted to find out that Orlando was writing a prequel about Issac. This looks at Issac’s journey as an El Salvadorian during war and the events that led to his immigration to the US.

Rebecca Yarros: Iron Flame – If you told me last year, after I was struggling through my first TikTok-famed romantasy, that I was going to adore my second one, I may not have believed you – I try my best not to go along with hype. Well, Fourth Wing may not be the most amazing novel ever written but it’s pretty darn marvellous regardless. I need the second book in my life and don’t be surprised if I’ve book three in January when it is published!

Saara El-Arifi: Faebound – I’ve been kind of circling around El-Arifi’s work ever since she debuted and in my quest to read more of one of my favourite genres, I’ve gone and got this book.

Sue Lynn Tan: Heart Of The Sun Warrior – I’ve Daughter Of The Moon Goddess soon to be put on my new non-podcast reading list once I’ve finished the first ten books. I was also very aware that it was becoming difficult to get the hardback of book two to match the first, so I went for it.

It goes without saying, really, but I’m excited about the above very much.

Never underestimate the elderly.

Archie is waiting in the restaurant of Peter Jones department store for his ninety-something-year-old great aunts to arrive. But then he’s called into a manager’s office: Great Aunt Penny has stolen a figurine from the store and has been caught; Great Aunt Josephine is with her. But Penny’s just an old lady and probably has dementia, right? The store let her off. Archie has some exciting news (these ladies are all about ‘excitements’ be they lunch or a day out) – France has invited them both to accept the Legion d’Honneur for their bravery and service in the Second World War. They’ll go, of course they will. But perhaps Penny’s stealing isn’t a one off – perhaps she’s been stealing throughout her life. Woven around the present day narrative are stories from the sisters’ days in service. Penny working in the FANY and training as a spy, Josephine in the Wrens. And we get the story of Josephine when she came back from Scotland all those years ago, that time when their friend/servant, Connie, gave birth unmarried and in disgrace.

The Excitements, Chrissie Manby’s first novel under the name of C J Wray, is one half very fun romp and one half fascinating WWII detail. Told with a few themes in tow, the novel places a spotlight on a generation of people – I’d argue it does indeed make you take more notice of factual people, not ‘just’ Wray’s two fictional heroines – who are often deemed as being of lossy intelligence, and are undermined in general.

Penny and Josephine are fantastic characters, though I’ll go to bat in saying that Penny is the more awesome for her personality and how she works through bad situations. She does also get more time on the page. Penny’s stand out feature, that can happily be discussed with only a marginal amount of spoilers dropped – because you figure the situation out in chapter one – is her tendency towards thievery. Only jewellery and expensive figurines, mind you, and there is a solid reason behind it, but, to refer back to the last sentence of the previous paragraph, she gets away with it easily because, as her loyal great-nephew points out to the manager of Peter Jones – John Lewis’ flagship store in Sloane Square that has a firm role in this book – she’s starting to get dementia. Poor Archie – he means well and loves his aunts, but even he misses a very obvious trick sometimes.

Elsewhere in Penny’s narrative, or narratives plural, given Wray’s flashbacks to various decades, we see her valiant strides through the First Aid Nursing Yeomanry. A girl of her social status and general education wouldn’t have been expected to know much at the start, but Penny’s almost literal kickarse situation involves having been somewhat of an autodidact of W E Fairbairn’s fighting manual which she uses most notably on a date.

In comparison, Josephine’s life has been quieter – she gets through the Women’s Royal Naval Service duties well, and without too much comment given that she does do well, but there’s a secret that haunts her that Wray teases out to reflect Josephine’s trauma. It’s fairly easy for the reader to work out just for the sheer amount of stories we’ve heard about the whole thing by now, but given Wray’s deft work in placing it in the narrative and emphasising it at times it makes sense to do so, it never becomes a case of waiting for the author to get to the point – you’re happy to let it flow naturally.

As to the writing and structure, as mentioned, it’s well thought out. Wray makes use of both the first and third person and includes diary entries and the odd letter. The movements back and forward in time and the way different periods (now; 1940s; 1960s) are dotted about never threaten your comprehension – it’s easy to keep up with what’s happening and the presumed mystery Wray wanted to employ in choosing the non-linear storytelling works.

Of language we’d better bring in the Morse code. Penny and Josephine sometimes use it to communicate and there is hilarity to be had in Archie’s effective broken Morse. The code is brought to the fore towards the end in a very funny way that involves other war-serving nonagenarians that Penny and Josephine aren’t keen on, and a situation of a more criminal kind.

In characterisations further than our intellectually-sound, thieving, kickarse heroines, Archie is a good supportive character. (I can’t quite call him a main character because there’s both a literal difference in age and a big gap in knowledge.) He has his own character progression which involves a jolly scene when he meets a past lover (the comedy grows as the book nears its end) and you get to see inside his head on occasion. Otherwise there is Penny and Josephine’s housekeeper (they don’t use the word ‘carer’) who has a wonderful progression in her own right, and the two other nonagenarians who show up half way through add to the humour – sometimes at their expense (one is always introducing any statement with ‘as an admiral’s daughter…’) and sometimes to outwit Penny and Josephine. And one of them has their own carer who plays a supplementary role.

The Excitements is such a fun book. The sisters’ wish to always have something to look forward to (an excitement) becomes more than they bargained for in a strangely good way and their constant drive for happiness and to always be ‘toujours gai’ (always cheery) becomes a motto within the narrative. If you want some humour with your WW2 fiction – I’d say this book counts as both historical and contemporary – you want this novel.

Publisher: Orion (Hachette)
Pages: 342
Type: Fiction
Age: Adult
ISBN: 978-1-398-71183-9
First Published: 30th January 2024
Date Reviewed: 8th October 2024

I’m not reading from other sources as much as I used to but, particularly with the demise of Twitter, there’s no really easy way to share other people’s written work at the moment. Threads and BlueSky aren’t really there (yet?), and I do like the idea that these posts are here to look back on rather than links shared one by one and gone in a matter of minutes on social media.

The list below is one I compiled over the course of months during that time I was blogging intermittently. Timely news has been edited out, evergreen content remains.

Author/Literary Figure Specific

How an 18th-Century Cookbook Offers Glimpses of Jane Austen’s Domestic Life
Helpful Men: Defending Philip Roth, Dismissing Virginia Woolf
40 Years Ago, Poet Lucille Clifton Lost Her House. This Year, Her Children Bought It Back
On the Friendship and Rivalry of Sylvia Plath and Anne Sexton
‘I learned about storytelling from Final Fantasy’: novelist Raven Leilani on Luster and video games
Makeshift Refuges: Edith Wharton’s Home-Building
Virginia Woolf on Why We Read and What Great Works of Art Have in Common
The Fashion of Jane Austen’s Novels
Is Jane Austen the Antidote to Social Media Overload?
“Only Lovers Live in the Present”: On the Notebooks of Patricia Highsmith
By the time L Frank Baum introduced the world to Dorothy and the gang, he’d already made his name as a shop window dresser par excellence
Emily Brontë’s Lost Second Novel

Book Specific

Was This Book The Original Eat, Pray, Love? (Mary Wollstonecraft)
The Mary Bennet Makeover: Postfeminist Media Culture and the Rewriting of Jane Austen’s Neglected Female Character
How the Women Became Little

About Writing

You Must Change Your Writing Style: Ward Farnsworth’s Guidebooks to English Virtuosity and Ancient Philosophy
On Setting YA Aside to Write a Novel for Adults (Nina LaCour on “Growing Up” Through Fiction

Libraries & Bookstores

Why a Bookstore’s Most Quiet Moments Are (Sometimes) Its Most Important
The Norwegian library with unreadable books

Misc. Literature

Better Than Nothing? Exploring the Limitations of AI-Narrated Audiobooks from a Disabled Person’s Perspective
Rachel Hore on Olga Gray, the historical figure behind her book, A Beautiful Spy
‘Alice door’ – inside this church is an obscure piece of art carved by the famous Alice Liddell
How a Team of Calligraphers Brought Jane Austen’s Fictional Letters to Life
Lydia Conklin on Writing Residencies and the Invaluable Gift of Permission
What’s In a Name? Tracing an Obsession with the Shakespeare Authorship Question

Other Links

The Devonshire Manuscript, a sixteenth-century handwritten collection of poetry and commentary, offers a glimpse of intellectual life at the court of King Henry VIII

All the near-recent posts about The New York Times’s Best Books of the 21st Century – I’ve linked to it but it’s behind a paywall – got me thinking about ‘best of’ lists in general and where they could apply to my own reading. Usually, or at least until recent years, any ‘best ofs’ I created were from my year round ups, the best five or so books I’d read in any given year. But people have been talking about what was missed – that it was full of literary fiction, that it neglected African literature, and a variety of my own research on lists have led me to realise I rarely use what I’ve read in this manner and that, on occasion, I probably should.

A ‘genre’ I don’t remark upon often, and admittedly don’t really read all that much of, is translated fiction, and this is rather silly because I tend to love reading it. But the proof is in the numbers and I’ve gone through all the data I have of my reading which extends from about half-way through 2009 (I wasn’t keeping track of dates back then) to last month, September 2024, and the answer is that I’ve read 41 books in translation out of a few hundred books in total. When my slow reading speed is considered it’s not absolutely terrible, but I did think I had read more non-English works.

I owe much of my reading in translation to my former reviewer relationships with Peirene Press and Pushkin Press which both fell by the wayside when contacts moved on. I have read some absolutely stellar books thanks to them and in Pushkin’s case I went on, much later, to invite two of their authors onto my podcast (Pasi Ilmari Jääskeläinen, episode 33; Nicolai Houm episode 81).

I’ve gone through the list of 41 and narrowed it down to those books I rate really highly and of which the passage of time has not blurred my knowledge. I’ve left out age-old classics – Tolstoy and Thomas More will be around for years to come. I love the idea that I’m bringing old favourites back to a front page, even if it’s just my own.

Here we go. The two years given are for the publication in the original language and then English translation.

Ayelet Gundar-Goshen: One Night, Markovitch (Hebrew, 2012/2015, translated by Sondra Silverston)
A man with an unremarkable face and his friend with the amazing moustache decide to join men heading to Germany to save Jewish women from the Nazis and bring them home to Israel. Full of humour, this is no less a book with a lot to say. It was even better than I’d hoped. Looking back on it now, it is no less relevant today than it was when it was first published – in various parts of the story one of the main characters goes to work in the morning and Gundar-Goshen will throw in a phrase of two about him using a gun on some Palestinians, a deliberately casual reference with an unapologetically shocking result.

Bernhard Schlink: The Reader (German, 1995/2015, translated by Carol Brown Janeway)
At fifteen, Michael has an affair with an older woman and years later sees her once more, this time in a war trial. Fantastic. I remember this being very literary and one of those books that can seem mundane at first before becoming shocking, but at the same time gives so much more.

Éric Chacour: What I Know About You (French, 2023/2024, translated by Pablo Strauss)
Writing to Dr Tarek, our second-person narrator tells us Tarek’s history and over time we learn who our narrator is and why he is so into Tarek’s story. (I should note the plot is of an Egyptian man born in the 1960s who becomes a doctor like his father, later gets married, and then one day falls for his male assistant.) Stunning – the plot is well done and everything about the structure and writing is superb. It’s been a few weeks since I finished it and I still think the writing is the defining aspect for me, though the look at various social issues was incredibly interesting.

Irène Némirovsky: Suite Française (French, 2004/2004, translated by Sandra Smith)
As the Germans invade and conquer France, thousands of refugees move to areas that are still free and later adapt to life as the German soldiers move to live amongst them. An excellent book. I would like to read it again; I meant to around the time the film came out, but hearing that the film only focused on one of the plot threads and may have created a conclusion for it (Nemirovsky was killed in the Holocaust and didn’t finish the book, though we have some of her notes) I set the whole idea aside. I do still have another of Nemirovsky’s books to read, in terms of unread books on my shelf, and need to go back to her work in general.

Marie-Sabine Roger: Soft In The Head (French, 2008/2016, translated by Frank Wynne)
A man who speaks of his lack of education and poor childhood meets an old woman in the park and they strike up a friendship over pigeons, books, and learning. Utterly fantastic, there are so many different themes to this book and they’re all handled excellently; and it’s a book wherein I heard the character in my head rather than my usual ‘voice’ – so well written and translated. I remember it being a very fun book.

Nicolai Houm: The Gradual Disappearance Of Jane Ashland (Norwegian, 2016/2018, translated by Anna Paterson)
A woman wakes up in a tent in a Norwegian National Park, knowing how she got there; scenes from the past couple of months show how she came to be in such a place. This is a novel about grief rather than a thriller – though it has an element of that – and a very good one at that. I re-read this only a couple of years ago so it remains fresh – there is a lot of things that you, as a reader, can think about here, and the ending is left somewhat open.

Pasi Ilmari Jääskeläinen: The Rabbit Back Literature Society (Finnish, 2006/2014, translated by Lola Rogers)
Ella becomes the long-awaited 10th member of a society that involves the country’s greatest writers – but are they the greatest writers, really? A very good look at ideas and writing in general. Weird ideas, suitable ideas – there’s lots up for interpretation.

Seishi Yokomizo: The Honjin Murders (Japanese, 1946/2019, Louise Heal Kawai)
A couple on their wedding night are murdered in the annex building of the family estate; a three-fingered man was seen around the place the night before and his hand prints are on the wall, but why did it happen? An excellent 1940s novella that is a lot more about the ‘why’ than the ‘who’. This is the first in a series focused on fictional detective Kosuke Kindaichi.

Véronique Olmi: Beside The Sea (French, 2001/2010, Adriana Hunter)
A mother takes her sons to the seaside for a holiday that may end badly. Brilliant, and provides a lot to think about. When I say it may end badly, I mean it, however in terms of Olmi’s look at mental illness and showing why people do what they do, it’s stunning.

What would be on your list?

Episode 108: Mark Stay (The Witches Of Woodville)

Charlie and Mark Stay (The Witches Of Woodville) discuss writing humour into wartime, using period-correct language as well as slang, why community is important and how much we’ve lost over the decades, and the metric ton of projects he has on the go.

If you’re unable to use the media player above, this page has various other options for listening as well as the transcript.